year: 1975

director: Armando Crispino

composer: Ennio Morricone

Armando Crispino's only Giallo is technically compelling but lukewarm on entertainment. With a dragging story line, forgettable characters and an uninspired soundtrack, you should examine other possibilities before checking this one off your list.

Recommedation: For Completists Only
As long as you've seen eveything else, this is worth a look.

year: 1977

director: Flavio Mogherini

composer: Riz Ortolani

This slow paced Australian crime thriller offers a few inspiring scenes and a great performance by Dalila Di Lazzaro. But it shouldn't be at the top of your watch list.

Recommedation: For Completists Only
As long as you've seen eveything else, this is worth a look.

year: 1969

director: Umberto Lenzi

composer: Riz Ortolani

Lenzi's follow up to Orgasmo/Paranoia and the 2nd in his "sexy thriller" series has a few inspiring moments but is generally boring and forgettable.

Recommedation: For Completists Only
As long as you've seen eveything else, this is worth a look.

year: 1964

director: Jean Josipovici

composer: Marcello De Martino

This gothic horror inspired murder mystery is one of the earliest Gialli in the cannon and worth a look if you’re doing a deep dive of the genre.

Recommedation: For Completists Only
As long as you've seen eveything else, this is worth a look.

year: 1968

director: Massimo Dallamano

composer: Gianfranco Reverberi

Massimo Dellamano's first attempt at the Giallo format is a mystery crime-thriller hybrid with a fairly complex character study, but that ultimately falls victim to slow pacing in the second half.

Recommedation: For Completists Only
As long as you've seen eveything else, this is worth a look.