This early genre entry, part crime thriller, part chamber film, and barely a Giallo, packs a surprising amount of entertainment and technical flair.

One-and-done Giallo director Vittorio Sindoni’s contribution to the genre is an interesting whodunnit with a fun cast and satisfying plot twists.

More spy film than Giallo, this late 1960’s genre entry will throw you off if you’re not paying attention, but rewards those who embrace a broader definition of what a Giallo film is.

This sophisticated and exquisite looking Giallo borrows from Bava, Antonioni, and the French New Wave resulting in an experience that’s unlike any other film in the genre.

Light on logic but heavy on fun, this gothic horror and kirmi inspired proto-Giallo offers up a decent mystery and some spooky atmosphere in Venice after dark.

The ruler of the Giallo Score. Considered by most to be Argento’s crowning achievement and the greatest Giallo ever made, Deep Red is the final stop at the end of the genre’s classic period.

Argento’s (once elusive) third Giallo effectively represents the genre as a whole in a single film. Four Flies offers the greatest Giallo director at the peak of the genre’s popularity.

This is Massimo Dallamano's career defining work and a classic Giallo. New comers to the genre who are ready to branch out from Argento would do well starting here.

Aldo Lado directs a somber but well-paced and well-acted Giallo with a haunting score by Ennio Morricone.

This is Fucli's Giallo masterpiece and possibly the best film of his career. All the Giallo elements are present and yet this film looks and feels like no other in the genre. This film should be a staple in the library of any serious fan of the genre.